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[ Rants ]
Wednesday, January 9, 2002
 

The year is 1991

With the early nineties came a new age of macho, kick ass and take names, fantasies of being that loner cowboy kind of attitude. A whole new generation of boys were turning into men and the most manly things they could think of were motorcycles, smoking, drinking and bank robbing. What was Metro-Goldwyn-Mayer’s response to this? It was an hour and a half long commercial for some of the things that made men what they are. With characters like Jack Daniel's, Virginia Slims and our title characters Harley and Marlboro, it was about as inconspicuous with it’s suggestions as Michael Jackson is with a little boy in a bathing suit. But does that make this a horrible film? Not at all. Cheesy? HELL YES! But it’s a damn good ride if you just take the chance.

Directed by Simon Wincer who directed the Lonesome Dove mini-series (1989), Quigly Down Under (1990) and most recently Crocodile Dundee in Los Angeles(2001). You get the same cowboy feel in this film that you got watching Quigly or Dove. I didn’t see Crocodile Dundee in Los Angeles so I dunno if we get the same treatment there.

(NOTE: Chances of me seeing Crocodile Dundee In Los Angeles are about as good as me driving a steel stake through my cock. So, if anyone has seen it and wants to share. Shoot me an e-mail.)

This film boasted a couple of decent leading men for the time. Harley Davidson was played by Mickey Rourke. Sure, no big deal now but who can forget 9 1/2 Weeks? That film is the reason he still gets work if you ask me. Marlboro was played by Sonny Crocket himself, Don Johnson. Again, you think Don Johnson now and you think... ok... big deal. But the dude was the most pussy gettinest cat back when he was doing Miami Vice. And it had only been a few years since the show was canceled. He was still hot shit. The rest of the cast is comprised of the late Big John Studd, Chelsea Field (Doesn’t that name sound familiar? Can anyone say Masters of the Universe?), Vanessa Williams, Tia Carrera, Giancarlo Esposito and Tom Sizemore. The script was penned by producer Don Michael Paul. Don’t know who he is? That’s fine... I mean, he hasn’t worked for a couple years. Other than writing for this film he also acted in films like Robot Wars, Aloha Summer and the TV show Models Inc. He’s got a new project coming out called Half Past Dead starring Steven Seagal and Ja Rule so you can pretty much bet it’s gonna grab tightly onto a cock and suck like nothing has ever sucked before. I figure writing and producing Harley Davidson and the Marlboro Man is as good as it’s gonna get for Don Michael Paul. But I’m just wasting time now. LET’S GRADE SOME CHEESE!!

Visual Effects: The film took place in the immediate future. But not too far so things looked the same in their time period as they do in ours. Shit, the film takes place in the past now and still looks a lot like how things do now. Not many big time effects to speak of, nor were they needed. They had only one real visual effect and that was near the end of the movie when our heroes toss the bad guy out a window. The blue screen work is so bad. My little sister who was 3 at the time she was this wasn’t scared for the guy but instead laughed because it looked so goofy. A little more care could have been put into that effect. It’s not like they can claim a sorry budget. This film was backed by the monsters of the tobacco industry and Harley Davidson Motorcycles. Those companies could have thrown down a couple million to ensure visual quality. Other than that, the film doesn’t really throw down any other special visual effects. But what we did get was kinda sloppy.

I give the Visual Effects a C+

Visual Style: The film really didn’t do anything innovative with it’s visual style. There was a reason for just about every light source in the film which is a huge pet peeve of mine. If a light is shining brightly from somewhere... have a reason. Example: In the film Lord of the Rings there’s a part where Frodo and his Hobbit pals are hiding from a black rider. They watch as he rides over a hill towards the brightest light source I’ve ever seen. It wasn’t the moon because it was shining from right over the hill. If the moon was that close, gravity would cease to be. Thusly, it was just a prop light set to backlight the black rider so the audience wouldn’t lose him in the darkness. No reason other than just to light something. There wasn’t any of this in Harley Davidson and the Marlboro Man. I find this is true for most cheesy films. They pay attention to the technical aspects of the project so people will overlook the silly story or plot of it. The camera work was fairly dynamic and exciting. Some nice quick, tight pans and close ups that were kinda revolutionary for the early nineties. The way that the whole city around them looked modern and steel and how they hung out at real earthy locations was a nice touch. Telling us that these two guys and their pals are part of an older tradition. Setting them apart from the rest of the world in a different way. Not making them shiny and fake... but making them a little more real. I liked the visuals used in this film and have actually used some of it in my own script writing.

I give the Visual Style an A+.

Sound: The sound in this film was great. The dialogue was clear and was never overpowered by the sound of surroundings. It was very well mixed. The music used in the movie was kinda classic by my standards. There was a lot of late 80’s/early 90’s cock rock thrown in there. The movie opens with Bon Jovi’s Wanted Dead or Alive and is full of other tunes by L.A. Guns and others. It fit the characters that were were watching. Some of it was appropriate background noise and some of it classics that make you go "Whoah, I remember that tune!!" The score itself was done by Basil Poledouris. His composing credits span almost 40 years with films like Conan the Barbarian, Conan the Destroyer, Red Dawn, RoboCop, Breakdown and Mickey Blue Eyes under his belt. The score to this movie isn’t all that bad. In fact, it’s quite impressive for as cheesy a film as this.

I give the Sound an A+.

Costumes: The costumes were alright for the film. If it was me making the film I would have made our main characters change at least once. But maybe that would have taken that mystical look away from the title characters. I mean, I never really get the impression that these guys are supposed to be believable, everyday kinda guys. They kinda come across like superheroes for an older, more mature generation. Harley Davidson wears his leather pants and leather jacket. He didn’t look quite like a Harley rider as much as he looked like a Japanese racer. I guess I was expecting a certain look and was surprised. As much as I like the character, I never really buy the look. Marlboro looks just like how you would imagine. A rugged, rough cowboy. Worn jeans and a white shirt with a almost western looking vest over it. I think on anyone else it would look ridiculous but on Don Johnson, it really kinda fit. I believed his character at first site. Add to that his rough voice and you got yourself a cowboy. Now we get to our group of bad guys headed up by Daniel Baldwin (The FAT one). These guys have a little gimmick in the film. They come out firing these bad ass automatic weapons wearing what look like giant garbage bags. These garbage bags, we find out, are kevlar. Kevlar is a bulletproof material for those of you who don’t know. Now, I bought this at first but then I saw what kevlar really looks like and I get pissed whenever I see these guys in the movie. Now, maybe kevlar looked like that at one time... but it seems a little different now and I just can’t buy it. Overall, the costumes are pretty good but there are just those few things that get in my head and bother me the whole time I watch it. I expect more from Richard Shissler who’s designed costumes for The Godfather III and Bram Stoker’s Dracula.

I give the Costumes a B-.

Story: The story of this film is a basic thing. Two old friends get together again after a long time. They find out that their friends are in financial turmoil and decide to help rob a bank to get the money they need. They rob the bank but then get more than they bargained for. The whole time trying to hypnotize you with suggestions to drink, smoke and ride a motorcycle like a maniac. It’s a simple story which was a good thing. If they tried to go overboard with it, it would have gone from cheesy to stupid in one easy step. They could have just overdone the macho of these guys but instead we get a little insight into the characters. What makes them say what they say or do what they do. The whole story revolves around the mistakes people make and the things they have to do to make things right again. It’s kind of an elementary thought but, again, it refreshes that ideal of a pair of superheroes for a mature generation. A couple of reckless and dangerous bad boys who can admit to their mistakes and make up for them. Every guys fantasy mixed in with a little responsibility. The story was solid and moved pretty fluidly. There were a few events in the script that kinda led to nowhere and that certainly lost the film some points there.

I rate the Story a C+.

Scriptwriting: We come back to Don Michael Paul. For having such a lackluster career, this guy actually did a half decent job with his script writing. There’s dialogue in this film that I still quote to this day. Marlboro Man’s "My old man used to tell me before he left this shitty world..." is gospel to me. The characters are all distinct and alive with their own attitudes and dialects. That’s an important thing to remember when writing. People tend to make all their characters say shit the same way. My best example of this would be Kevin Smith’s writing for Clerks. No offense to Kevin Smith... I’m one of his biggest fans BUT... all of his characters in Clerks seemed to talk the same way. Beyond a location’s dialect. These people are all from the same place... yes... but they all kinda shared the same brain. You know what I’m saying? I love the film and maybe it was just an acting issue.

(Excuse me now as I go and set myself on fire for criticizing my freaking hero.)

Okay, I’m back. But you see what I mean. All the characters had distinct identities that were apparent through the dialogue. And some of the scenes were priceless. When Harley tries to talk Marlboro into jumping off of a hotel in Las Vegas into the pool below to escape the bad guys.

Harley: "You’re gonna get shot up here."

Marlboro: "You’re gonna get smashed down there."

Harley: "I’d rather be smashed than shot."

Marlboro: "Not me."

Or when Marlboro is being held hostage by Daniel Baldwin. Harley stands with his gun drawn as Daniel Baldwin holds Marlboro in front of him. Marlboro tells Harley to shoot. He does and Marlboro takes a bullet in the arm. Daniel Baldwin just laughs as Marlboro’s eyes widen in pain. CLASSIC!!! And we can never forget the macho motto thrown throughout the film, "It’s better to be dead and cool than alive and uncool". As macho as the script was, it was very well written and holds a decent amount of water when pit against the scripts of today.

I give the Scriptwriting an A+.

Acting: No Oscar-caliber performances in this flick. The actors make the parts believable and that’s about it. Mickey Rourke and Don Johnson have a pretty good chemistry as life long pals. You almost believe that these two guys have history together. They respond to each other pretty genuinely. Another stand out performance was that of the late Big John Studd. For a guy who was a WWF wrestler, he sure came across in a realistic way. It didn’t sound like a guy just rattling off lines but of a thinking and responsive actor. Tia Carrera, Vanessa Williams and Chelsea Field kinda played the part of background to the rest of the cast. Chelsea Field plays Virginia Slim... a love interest for Marlboro who basically calls their romance off to settle down and marry someone she really doesn’t love. You see a bit of inner turmoil with her but you basically can’t wait till she leaves a scene. Tia Carrera has all of 4 lines in this movie and stinks at all of them. Luckily, she’s a piece of ass I wouldn’t mind tapping, so she is forgiven. Vanessa Williams plays a small role of a woman that both Jack and Harley fought for the affections of earlier in life. This leads to a small scuffle at the beginning and soon she is forgotten. You can tell this is her first acting job. She kinda stinks. Daniel Baldwin proves why he’s the least popular of the brothers. His expression never changes and his voice just drones on and on. Tom Sizemore does a pretty good job at playing a weasely little bank president. In 4 seconds he makes you want to kick his ass yourself. No depth or anything involved with this character. Just a little bastard. The only performance in the film that makes me ill is the part of the helicopter pilot. At the climax of the film, this pilot swoops down and opens fire on the bank building. He comes out of nowhere just when Harley and Marlboro think they’re finished. You want him to go "GET DOWN!! GET DOWN!!" Or "Take this Motherfucker!" Instead, he has a shitty grin on his face and waves almost halfheartedly for Harley and Marlboro to get out of the way. I blame this, not on the writing but on the actor. Had he just improvised something better, I’m sure the director would have dug it. You are allowed a little freedom with improvisation on a set. The main characters were played wonderfully but the people around them would tend to bring the film down. Enough to kill the film? No. But more than enough to make you wonder what else might be on TV until we come back to Harley and Marlboro.

I rate the Acting a B+.

So, there you have it. My humble opinion of a film that I believe hasn't received it's due. It's a cheesy movie that may have been unfairly categorized. I recommend you check it out sometime and take these points that I've given you into consideration. I think you'll find a diamond in the rough with this film.

Category Summary
Visual Effects C+
Visual Style A+
Sound A+
Costumes B-
Story C+
Scriptwriting A+
Acting B+
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