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With the release
of the DVD set for the 7th Season of “Star
Trek Voyager”, Paramount brings to
a close its run of sets for the first four
“Trek” series. All that is left
is the current “Enterprise”,
and I understand they are slated to begin
hitting store shelves in 2005. So far, all
of these sets have been extremely impressive,
not only in their packaging and design but
in the speed of their release.
Being that “Star Trek” started
off with a little three season run back
in the 1960’s, it’s almost hard
to fathom how it built such a strong following
as to become the mega-franchise that it
is today. Ahh…witness the power of
fandom. Of course, the fact that this original
series later launched an animated version,
a popular motion picture series, and three
additional spin-off series (each lasting
7 seasons) cannot only be credited to the
fans, but must also say something about
the level of quality viewing that is being
offered.
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This is evident by the newer fourth spin-off
series that appeared to lose steam in its first
season and is trying to win back audiences as
it chugs ahead into its fourth. But, I’m
not here to talk about that particular series.
I’m going to focus this time around on the
new “Star Trek: Voyager”, and specifically
season 6.
“Star Trek: Voyager” was the third
spin-off series. It aired from 1994 – 2001
and proved once again that Trek was a force to
be reckoned with. Like most of the series that
came before, it wasn’t an immediate hit,
but grew on the fans over a period of time. I
am only a casual fan of the Trek universe, interested
enough to watch, but not so much has to go to
conventions dressed as my favorite Klingon or
Borg. Admittedly, this was the series I most wanted
to see on DVD, as I missed most of it when it
originally aired. I was still going through a
phase where I was trying to wean myself from TV,
and though I taped the series, rarely watched
it.
Now that I’ve had the opportunity to really
sit down and spend some time with it thanks to
the release of the entire series, I can see that
it still kept a lot of the qualities that make
for great Trek. It harkened a bit back to the
old days of Trek by putting the main characters
in a position where they could travel great distances
and explore areas never seen in Trek before. Of
course, this wasn’t by choice. At the very
beginning of the series, the crew was sent out
on a mission to deal with the Maquis (Federation
Rebels). When a spatial disturbance threw both
ships light years away, they were faced with the
seemingly impossible task of returning home, and
had to learn to work together to do so. With the
realization that they may never make it home,
they continued to ‘explore strange new worlds
and seek out new civilizations, boldly going where
no man had really ever been before.’
“Star Trek Voyager” had the distinction
of being the first series to feature a woman as
the captain of the ship, much to the delight of
women’s groups everywhere. As Captain Katherine
Janeway, Kate Mulgrew seemed a bit stiff through
the first season, but over the course of the series
seemed to warm up quite a bit. It was actually
quite understandable that she would have appeared
this way as it was her first foray into the world
of Trek, much as it was Janeway’s first
command of a starship. In spite of her abrupt
manner, I also understand she was much better
than the first actress chosen to fill the role.
In the interest of fairness, and the need for
the two factions to work together, Janeway took
on a Maquis as her 1st Officer. Commander Chakotay,
a Native American character whose role was quite
ably filled by Robert Beltran. I met Beltran briefly
on the set of the Chuck Norris film, “Lone
Wolf McQuade” and found him to be quite
friendly and was glad to see him in a role that
was liable to give him a tremendous amount of
exposure.
As is the formula for any Trek series, you must
have an interesting array of crew members. Since
they had to throw to disparate crews together
it gave the writers an opportunity to not only
create colorful characters, but build an interesting
dynamic by having them forced to learn to work
together. On the Federation side we had Lt. Commander
Tuvok (Tim Russ), who was the Vulcan security
officer, Tom Paris (Robert Duncan McNeil), who
has it in for the Federation for imprisoning him,
and Harry Kim (Garrett Wang) the fresh faced and
eager newbie. Chiming in for the Maquis there
is B’ellana Torres (Roxanna Dawson), a Starfleet
Academy dropout who happens to have temper issues
due to her half-Human / half-Klingon heritage.
Also joining the crew after being shot across
the galaxy is Neelix (Ethan Phillips), who offers
to serve as a guide to the ship’s new stomping
grounds, and his mysterious companion Kes Jenifer
Lien). I was curious to see what the seven year
series would bring for this character as her race
only has an eight year life span. As it turned
out, she ended up leaving the series within the
first two episodes of the fourth season (more
on that later).
Probably the most interesting character for me
was the ship’s doctor. Even when he was
there, he wasn’t really there. This is because
the good doctor was a ship’s hologram. A
hologram so sophisticated that he could actually
perform whatever treatments were necessary. This
idea had been visited by earlier Trek series with
the thought that the holographic images did indeed
exist as a form of matter. I’d try to get
into all the appropriate techno-babble that would
explain it, but I haven’t a clue what it
is and doubt I’d understand it anyway. He
just IS. I was intrigued by this character more
for the actor that played him. I’ve long
been a fan of Robert Picardo, who has been in
numerous movies, though rarely recognized. Picardo
is also a skilled effects artist who has been
in heavy costumes for films like “Legend”
(Meg Mucklebones) and ”Explorers”
(Wak Wak’s Father, and out of makeup as
Starkiller).
In the fourth season, it was decided that the
series needed a little more sex appeal. I’m
really not sure what is sadder, that the creators
of the show thought that bringing in a ‘hot
chick’ would boost ratings, or fact that
they were right. Actress Jeri Ryan was brought
in as Seven of Nine, a member of the Borg collective
that is ‘rescued’ by the crew of Voyager.
Her character soon becomes the strong focal point
of the series and worked as a ratings booster,
due to her continued efforts to regain her individuality
and humanity. (Actually the tight catsuit didn’t
hurt much either!!) I really can’t say what
happened between the studio and Jennifer Lien.
I understand she was initially signed for all
seven seasons, but when it was decided that she
wasn’t drawing in the demographic that the
studio wanted, she was let go and replaced. I
personally found her character to be quite intriguing,
and she was a darn sight better looking than Ryan.
But, C’est la vie. I did find it interesting
that Ryan wasn’t interested in taking the
role at first, and the part almost went to Hudson
Leick (Yowza!!) or Claudia Christian (Yowza!!
– Part 2), either of which would have been
a great addition to the cast.
Aside from the major casting change, the fourth
season also brought the series into a new direction
in many ways. Kes’s departure was written
to be one of sacrifice, which at least gave her
character a dignified exit. The crew dynamic changed
as new friendships and alliances were formed,
the relationship between Paris and Torres became
a more permanent affair, and Janeway had the opportunity
to become somewhat of a mother figure for Seven
of Nine.
The fifth season brought with it an evolution
in many of the main characters. There was a strong
focus on Seven of Nine as she tried to assimilate
herself into a useful and productive member of
the crew, but fortunately the focus did not end
there. Other characters started to come to the
forefront more so than they had in the past. The
most noticeable was Harry Kim. When the series
began, he was the young and innocent newbie. But
his time onboard Voyager and the grim situation
they have been in caused him to grow up, figuratively
speaking.
The sixth season of “Star Trek Voyager”,
in retrospect was probably one of the weaker overall
of the entire run. In part, I feel this was due
to the show’s imminent demise as it was
coming up on its seventh and final season. The
writer’s had the unenviable task of continuing
the crew’s saga in such a way as to drive
it closer to its ultimate conclusion. This is
not to say it was without its strong points, most
notably in the progression of Seven if Nine. Where
her character was only of moderate interest previously,
this season allowed her to grow midway through
with the introduction of some Borg children. Seven
was allowed to become a surrogate mother, much
as Janeway was for her, as she helped them in
their struggle to regain the humanity that was
lost.
The seventh season was the home stretch for the
series, and while there again were some standout
episodes, there were a few clunkers. But these
were few, to be sure. Most served the purpose
of winding up storylines and bring the crewmembers
home. Not just in the real sense of the ship’s
final return to Earth, but a also metaphorically
speaking. If there was one bit of a disappointment,
it was only in the fact that the homecoming, while
joyous, was rather abrupt. After seven years of
trying to get home, when they finally arrive,
we see so little of it. But this is a minor nit
in what would otherwise be an ocean of praise
for what might be the last, great Trek series.
The thing that has always struck me about these
‘Trek’ sets is the amazing amount
of extra features that are packed into each one.
The seventh season set of “Star Trek Voyager”
is no different. The seventh disc of the set continues
with the “Braving the Unknown” series,
which is full of interview snippets from most
of the cast and crew as they reminisce about the
series. They also continue the “Time Capsule”
series, which features interviews specifically
focusing particular crew members in each set.
This time around they take a look at actor Robert
Picardo’s holographic Doctor. You’ll
also find a featurette called “Coming Home:
The Final Episode” which takes a look at
the series’ finale, while “Real Science
with Andre Bormanis” which compares the
fantasy science of the series with real life science.
Fans are also given a bit of a look behind the
scenes of the creation of the Las Vegas theme
attraction, “Borg Invasion 4-D.” Add
in some photo galleries and storyboards and you
have one very worthwhile DVD set.
So far, all of the packaging for the Star Trek
series sets has been impressive. The sets for
“Star Trek Voyager” look a little
bit plainer than the previous sets, but are still
pretty cool. The discs themselves are still housed
in a book-like holder, but this time the clear
slipcover comes apart in the middle, with a top
and bottom. The disc holder itself is also clear,
but tinted light purple. Each season is a different
color, making the whole set really stand out on
the shelf.
Once again my hat’s off to Paramount for
delivering yet another Trek series to the fans
on DVD. It still amazes me that they can release
a full season in a year’s time, especially
considering the amount of work that goes into
each set. Not to mention they also released all
three seasons of the Original Series this year
(in some of the coolest designed cases), to boot.
Episodes:
Unimatrix Zero Part 2
Imperfection
Drive
Repression
Critical Care
Inside Man
Body and Soul
Nightingale
Flesh And Blood
Shattered
Lineage
Repentance
Prophecy
The Void
Workforce Part 1
Workforce Part 2
Human Error
Q2
Author, Author
Friendship One
Natural Law
Homestead
Renaissance Man
Endgame
Starring: Kate Mulgrew, Robert Beltran, Tim Russ,
Robert Duncan McNeil, Garrett Wang, Roxann Dawson,
Jeri Ryan, Ethan Phillips
Extras: Braving the Unknown: Season Seven”,
“Time Capsule: “Doctor”, “Coming
Home: The Final Episode”, “Real Science
with Andre Bormanis”, Behind the Scenes
of Borg Invasion 4-D”, “Photo Galleries,
Storyboards, Easter Eggs
Specifications: Full Frame, Dolby Digital 5.1
Surround Sound
Studio: Paramount
Release Date: 12/21/2004
Region 1
MPAA Rating: NR
Website
We'll give Star Trek Voyager: Season 7 an A.
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