| Before we get on to the actual ratings, I
want to discuss the previews I saw before X-Men
started.
Hollow Man - Hot diggity damn, this one's
going to kick ass.
Nutty Professor II: The Klumps - Anyone
who finds this preview amusing should be sterilized
immediately. Eddie Murphy is brilliant, but this..
is not.
Cirque de Soliel: Journey of Man - I fucking
hate the French.
Blair Witch 2 - From a financial point
of view, this is brilliant. From an artistic point
of view, this is a grave insult.
Now on to the feature presentation.
Wow!
I mean, aside from the first two Batmans, pretty
much any movie based on a comic book has sucked
complete ass. You can pelt me now; I include The
Crow in this list of Suck, a clear case of a movie
being obscenely overrated due to .. well, God
knows what.
Not the case with X-Men. This movie is absolutely
a solid, tight-fisted flick that knows exactly
where its priorities lie. As if the rest of the
press hasn't clarified this enough, this is essentially
Wolverine: The Movie, and no finer actor exists
to portray that tortured Canuck than the one they
picked -- Hugh Jackman. I've never seen this guy
before, but I sure as hell hope I see more of
him in years to come.
The story of X-Men could have been lifted from
a classic Cold War-era paranoia horror flick of
the 50's, and 60's. A new leap in evolution is
among us humans, and they are the mutants. These
mutants are metahumans.. they are us, but with
little extra kinks. The downtrodden Rogue (Anna
Paquin) can absorb the memories of another with
but a mere touch. Storm (Halle Berry, but anyone
who's seen Strange Days knows it should've been
Angela Bassett) has the considerably awe-inspiring
ability to control the weather. Jean Grey (Famke
Janssen, an underrated talent) is both telepath
and telekinetic.
Pretty nifty stuff, overall.
But the norms don't think so. They're scared.
The surge of new mutants with unstable powers
has the much larger population of normal humans
worried, and one senator is leading the anti-mutant
crusade in a very McCarthyesque fashion, right
down to the "list of mutants living in this
very city." This particular senator would
like to see every mutant registered, numbered,
filed away and eventually locked up behind bars.
This stinks a little too much of the Holocaust
of Erik Lehnsherr's (Ian McKellan) youth, and
he's decided that before humans can give themselves
the chance to start a mutant genocide, he's going
to take charge and pave the way for the new race,
Homo superior. The mutants.
But that isn't what Charles Xavier (Patrick Stewart),
aka Professor X, is all about. He wants to teach
mutants to use their abilities for good, and to
coexist peacefully with humanity. A critic or
two has wrongly said the Xavier/Lehnsherr paradigm
resembles that of the Martin Luther King/Malcolm
X duality of the civil rights movement, but this
is not the case. Malcolm X demanded respect for
the black race. Lehnsherr, going under the name
Magneto, demands dominance.
Xavier's X-Men and Magneto's Brotherhood of Mutants
clash mightily, with Wolverine's struggle for
identity and Rogue's loneliness as the pivotal
center. These two can go either way -- tolerance
or hatred -- and their choice will determine the
fate of the two teams, and perhaps of the world
at large. That struggle and that loneliness are
played up beautifully in the picture.
The comic books are laden with juvenile, heavy-handed
emotion tossed out every other panel, mixed in
with the spandex and Ka-BOOMs. Thankfully, the
movie has a much more mature approach, and thus
the audience can identify with the genuine, rather
than forced, emotion of the two leads.
Should you see it? You bet. Even if you happen
to be older than 25, the movie is still a fun
adventure, and miraculously manages to not come
across as silly when by every right it should.
Still, there are faults: Storm and Cyclops seem
to have questionably minor roles, and the resolution
of the major conflict is somewhat lacking in oomph.
But the general entertainment factor is still
there in force, and that makes X-Men one of the
better films of the summer. |